dvLED for Virtual Production
On an LED volume the wall is the set, the light and the background at once. It has to hold color and detail perfectly, stay locked to the camera, and run at high frame rates without a scan line or a flicker in the shot.
What this room demands
Locked to the camera
Precise synchronization so there are no scan lines, no tearing and no surprises in the take.
High frame rate, no compromise
Frame rates up to 240 Hz while color and detail stay fully intact.
Right on camera, not only to the eye
What the sensor records is what counts, from color fidelity to moire behavior.
Every detail ends up in frame
Reflections, spill and edges all land in the final image, so nothing can be left to chance.
A volume that behaves the same, take after take
TRUE builds dvLED volumes on XF+ and XR panels driven by the ERMAC control system. Panel and control are engineered together, so the volume stays predictable under the camera.
Up to 240 Hz
XF+ panels built for realtime capture, with a horizontal scan architecture suited to the camera.
Pantone validated, 26 bit
The ERMAC Color Space Engine holds color across brightness and across batches, so grading starts from a true source.
Fixed or rental
The XF+ series for permanent volumes, the XR series at 1.9 for touring and rental builds.
One calibrated system
Because we make both halves, the wall, the processing and the sync are tuned as a single system.
Where it earns its place
Studios building LED volumes choose TRUE for camera accurate color and stable high frame rate performance, backed by European engineering and support.
See it measured in Kassel
The fastest way to judge a wall is to measure it. Book a visit to our Experience Center, or send us your space and we will size it.
Virtual Production questions
What frame rate does an LED volume need?
It depends on the camera and the shot, and TRUE supports frame rates up to 240 Hz so the wall keeps pace with high speed capture without scan lines.
How do you avoid moire and scan lines on camera?
A horizontal scan architecture, precise synchronization and end to end calibration keep the image clean for the sensor, not only for the eye.
Can the same panels serve rental and permanent volumes?
Yes. The XF+ series suits permanent volumes, and the XR series at 1.9 is built for touring and rental, both on the same ERMAC control system.